The Modern Day Mystic Story Part Thirty Three

So one night, I can’t remember why I was doing it (why doesn’t matter anymore at all, because WHY I think I’m doing things usually turns out to have no relevance as to the real reason), but I started putting the geometry on the Da Vinci Canon and began to see correspondences and meanings deeper in it than I had before and in ways that I can’t explain.

With that geometry you could go on to inscribe all of the fundamental solids within it, just as S & G 6 was talking about without touching on the Da Vinci Canon.

I wound up sending that image to Peter for whatever reason. I think I just wanted him to have a look, but then he saw in it what needed to be done with it and said it had to do with the data population wizard for the software he was working on! Everything that was developing with the software was in tandem developing with OOPS, and so the form that is used for OOPS right now was somehow related to that geometry and the number of questions that needed to be used.

Based upon that, the numbers, 1 through 13, needed to be placed on the Da Vinci Canon, regardless of whether or not they corresponded to the geometry, such as as intersections, vertices, etc.

So Peter gives me a job, taking it right from St. Germain, and here’s about how he put it: “You have to determine what the data population questions are and then assign their answers each one of the thirteen numbers, and you have to place the numbers on the Da Vinci man and tell me why they go there.”

Oh, is that all? I thought it would be a HARD job! And hey, wait a sec here. Am I not supposed to be the one doling out jobs?

So I started doing that late one afternoon and was on it for hours and hours. I can’t remember how long it took me. It was absolutely exhausting. I was poring over the Kabbalah, and some Chinese stuff, and none of it seemed to be working because the explanations themselves sort of destroyed the symmetry. It was quite a learning experience.

Then for whatever reason something clicked and I just started placing the numbers, basically just giving up and wanting to go to bed and just wanting it off of my screen, and sent it to Peter with an explanation that we’d have to find another way of figuring it out. He calls in the morning and reports that it’s absolutely perfect, “nailed it,” he says. The instructions calling for explanations is what caused the very deep probe, and that somehow provided the solutions, but the explanations themselves turned out to be superfluous, once again demonstrating the scope of the vision of AMs in how to instruct in order for us to accomplish.

I think it’s interesting that “7” is placed where our pool of lifeforce energy is concentrated, what the Tai Chi types call the Dan Tien (I think). The number “7” started to play an increasingly important role, which I’ll try to get to below, and you’ll recall from the TWS 1 and 2 “7” played an important role as a “margin of error,” but then it started to be something else, and I think what we started calling it was a “built-in differential,” which led to the inquiry which produced the information about the years 2005 and 2012.

Peter needed to incorporate this new knowledge of the placement of the numbers on the Da Vinci Canon as a means of establishing spatial coordinates for the person interacting with the software. It’s like it’s a process of establishing an address, as discussed in the S & Gs. You don’t have a position in the Cosmos so much as you have an address, and that address can be described as a frequency, which itself can be described in mathematics.